Hi asimalady - Firstly I think that digital is the way to go when photographing flowers, but some cameras record reds as "hot" the rest of the spectrum can be accurate but red can be lacking in detail, giving the appearance of being flood coated with a single red tone, with very little shadow or highlight detail. The reds can be too saturated and appear burnt out. I prefer to photograph flowers in studio conditions where I am totally in control of the lighting, but if you are shooting out in the open I can understand your problem. You say you have a Canon camera, but not which one, neither do I know which graphics programmes you use for manipulating your images. However there are ways around this problem with the hot reds. If you could give me a little more info on which camera you are using, and what programmes you use, I will try and devise a means of curing this for you. Better still, if you could e-mail me one of these hot red shots I will then be able to assess which method to use for your particular camera, and whatever graphics programme you prefer to use. I would say that the way you photograph the flowers is not the real problem, but rather the way your particular camera handles reds. Bright sunshine is not good for flower photography, an overcast day is usually better, because there is far less contrast. Digital is better at coping than most film, but there are limits in any medium.
children paint because they don't know they can't - so what happens as we become adults? - Me
Life is very nice, but it has no shape. The object of art is actually to give it some, and to do it by every artifice possible - truer than the truth. - Jean Anouilh 1910-87